AustralieFrV1, Main, Exploration, bibRecord, 002568

King Kong (2005) : remake ou sauvegarde ?

Identifieur interne : 002568 ( Main/Exploration ); précédent : 002567; suivant : 002569

King Kong (2005) : remake ou sauvegarde ?

Auteurs : Jonathan Fruoco [France]

Source :

Représentations : la revue électronique du CEMRA [ 1951-6118 ] ; 2015-12-01.

RBID : Hal:hal-01015112

Descripteurs français

mix :
- King Kong, cinéma, remake, technologie.

Abstract

Merian C. Cooper and Ernest B. Schoedsack’s movie gave life to a mythological figure that left its marks not only on the history of the motion picture industry but also on New York itself. Yet, the success of the movie was in a certain way the result of the work of Willis O’Brien, whose stop motion animation gave birth to modern special effects. Peter Jackon, who has been inspired to become a filmmaker by King Kong and by the animation of O’Brien and Harryhausen, thus realized his dream when he was given the chance to direct his own version of King Kong. However, he did not conceive his movie as a remake but as a digitalization. Jackson thus united two worlds separated by seventy years of technological progress and linked by a single passion: to film the eighth wonder of the world.

Url:

https://hal.archives-ouvertes.fr/hal-01015112

Affiliations:

Links toward previous steps (curation, corpus...)

to stream Hal, to step Corpus: 000418
to stream Hal, to step Curation: 000418
to stream Hal, to step Checkpoint: 000095
to stream Main, to step Merge: 002574
to stream Main, to step Curation: 002568

Le document en format XML

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<front><div type="abstract" xml:lang="en">Merian C. Cooper and Ernest B. Schoedsack’s movie gave life to a mythological figure that left its marks not only on the history of the motion picture industry but also on New York itself. Yet, the success of the movie was in a certain way the result of the work of Willis O’Brien, whose stop motion animation gave birth to modern special effects. Peter Jackon, who has been inspired to become a filmmaker by King Kong and by the animation of O’Brien and Harryhausen, thus realized his dream when he was given the chance to direct his own version of King Kong. However, he did not conceive his movie as a remake but as a digitalization. Jackson thus united two worlds separated by seventy years of technological progress and linked by a single passion: to film the eighth wonder of the world. </div>
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King Kong (2005) : remake ou sauvegarde ?

King Kong (2005) : remake ou sauvegarde ?

Source :

Descripteurs français

Abstract

Links toward previous steps (curation, corpus...)

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri